Silk: A fine, strong, and soft lustrous fiber made from silkworm cocoons. This fiber is commonly used in a variety of bridal fabrics such as chiffon, charmeuse, satin, mikado, zibeline, and dupioni. Materials may consist of pure silk or a silk blend.

Satin: A heavy, tightly woven fabric that is glossy on the front and dull on the back. Its smooth and luxurious appearance is often associated with a simple, timeless, and formal bridal style.

Mikado: A structured fabric, typically made of silk, that is visually similar to satin. It is known for its stiffness, full-bodied drape, and lustrous sheen.

Taffeta: A light, crisp, and lustrous fabric with a paper feel. The plain-woven material is commonly made of silk and identified as a very traditional bridal fabric.

Tulle: A soft and fine silk, cotton, or nylon fabric. Lightweight, ethereal, and effortless, the sheer material is commonly associated with a traditional ball gown or ballerina look and feel. It can also be referred to as “netting” or “illusion” when utilized in a way that appears as if the design is merely floating upon the skin.

Chiffon: A thin, semi-sheer fabric with a soft and slightly silky finish. The material offers optimal movement and fluidity. Its lightweight and effortless nature deems it ideal for a beach or outdoor wedding.

Organza: A lightweight, plain weave, semi-sheer fabric that offers more movement than satin but more structure than tulle or chiffon. Its polished yet translucent appearance creates an equally elegant and ethereal aesthetic.

Charmeuse: A lightweight, semi-lustrous fabric with a soft and silky texture. The effortless yet luxurious material is commonly associated with slip dresses.

Lace: A fine, open fabric, typically consisting of cotton or silk, made by looping, twisting, or knitting thread. A variety of different types of laces exist that each convey a unique floral or geometric pattern. A few of the most popular bridal laces include Alençon, Chantilly, and Venetian. The material’s traditional and feminine appearance deems it one of the most classic bridal fabrics.

Brocade: A heavy, intricate woven fabric with three-dimensional designs. Also referred to as “jacquard,” the material’s pattern creates distinct yet cohesive texture and dimension.

Damask: Similar to brocade with designs expressed in texture. The material usually consists of a single thread color.

Linen: A lightweight fabric woven from flax. The material is less common in bridal wear due to its more casual nature.

Strapless: As one of the most popular and universally flattering necklines, this widely-adored style can be identified by a dress without straps or sleeves that fully exposes the décolletage. Contrary to popular belief, this ultra romantic and feminine style is incredibly structured and typically provides a lot of support.

Sweetheart: Often paired with a strapless cut, this style dips down in the centre front and resembles the shape of the top of a stylized heart. This undoubtedly romantic, scalloped neckline is universally flattering, especially for those with a fuller bust, and associated with a very classic bridal look.

Off-the-Shoulder: As another widely-adored style, this neckline appears and is constructed to be strapless. However, a strap or full-length sleeve drapes or extends horizontally from the neckline covering the upper arm. Keeping the shoulder and entire décolletage exposed, it is known for its romantic and tastefully sexy aesthetic.

V-Neck: As its name implies, this classic neckline dips down to a point in the centre front bodice resembling the shape of the letter “V.” It draws the eye downward creating effortless elongation and a statuesque appearance. Especially complementary for those who are petite, this cut is streamline and elegant.

Square: As its name suggests, this clean and modern cut features two clearly defined corners that join at a 90-degree angle to resemble the shape of a square. Typically paired with thin straps or sleeves, it exposes the décolletage and accentuates the collarbones.

Scoop: This style is a rounded cut that simply resembles the shape of the letter “U.” Typically paired with straps or sleeves, it is a streamline yet soft way to elegantly frame the face and décolletage. More often than not, the neckline, similar to that of a square neck, features a backline that mirrors the same shape as the front.

Cat-Eye: This ultra modern and fashion-forward cut is essentially a scoop neckline without straps. Mimicking the sharp and defined shape of a cat’s eye, the strapless style features two defined points that scoop upwards towards the arm pit. It is ideal for those seeking a clean and slightly edgy look.

Portrait: Characterized by a wide, soft scoop from the tip of one shoulder to the tip of the other, this more formal style is associated with a very timeless and regal aesthetic. Similar to an off-the-shoulder cut, the portrait neckline is an elegant way to frame the face.

Bateau: This type of high, wide-cut neckline gently follows the curve of the collarbone almost to the tip of the shoulders. Also referred to as a “boat” neck, it is cut straight across so less of the décolletage shows. This elegant, more modest style can be paired with sleeves or a sleeveless style.

Halter: Chic and elegant, this type of neckline features a strap that runs from the front of the gown around the back of the neck and typically results in an open or low-cut back. Particularly in bridal, it is usually paired with a high neckline that cuts inward exposing the collarbones and shoulders.

Jewel: Less common in bridal wear, this clean-cut style can be identified by its slightly rounded, high neckline without a collar. It circles around the neck and falls above the collarbone making it ideal for those seeking more coverage. In bridal, it is most often paired with an illusion neckline in which sheer fabric makes it appear as though lace, beading, or an embroidered design is merely floating upon the skin.

Strapless: While this popular style is technically sleeveless, it is important to note, as it is one of the most commonly-seen types of necklines in bridal. It can be identified by a dress without straps or sleeves that fully exposes the décolletage.

Off-the-Shoulder: This widely-adored style appears and is constructed to be strapless. However, a strap or full-length sleeve drapes or extends horizontally from the neckline covering the upper arm. Keeping the shoulder and entire décolletage exposed, it is known for its romantic and tastefully sexy aesthetic.

Spaghetti Straps: Defined by a very narrow strap or strip of material that goes over the shoulder to provide support to the bodice, this minimal style exudes a dainty and feminine aesthetic.

Cap Sleeve: This specific short sleeve style is cut and seamed to fit on and fully covering the entire shoulder before tapering underneath the arm. It is ideal for brides who prefer or require modesty yet still seek a more minimal sleeve look.

Tulip Sleeve: This romantic and feminine short sleeve style is essentially a cap sleeve with overlapping seams that resemble the look and shape of a tulip.

¾ Length Sleeve: This sleeve style extends over the shoulder and down the arm stopping roughly midway between the elbow and the wrist. A fairly uncommon sleeve style, this striking cut offers a chic, elegant, and slightly regal bridal look. It provides modesty while still offering more exposure than full sleeves.

Long Sleeve: Undoubtedly elegant and striking, long sleeves provide the most coverage as they extend from the shoulder all the way down to the wrist. Sleeves may consist of an opaque fabric, such as mikado, or a sheer illusion material, catering to a wide range of unique preferences and aesthetics.

Set-In Sleeve: As one of the most basic and streamline styles, this type is set into the armhole of the bodice. Exuding a very tailored look, the sleeve and the bodice are prepped and sewn individually and then assembled together at the armhole.

Juliet Sleeve: This type of sleeve is technically a fitted long sleeve with a gathered puff at the shoulder. Fairly uncommon and unexpected, it’s a romantic style that is reminiscent of Renaissance fashion.

Puff Sleeve: As the short-sleeved version of the Juliet sleeve, a puff sleeve is a voluminous style that is fitted at the bottom around the arm with an elastic or a band to keep it in place.

Butterfly Sleeve: Just like it sounds, butterfly sleeves are short and loose flowing sleeves set at the top of the arm with little to no coverage underneath—they flutter!

Bell Sleeve: This bohemian style typically resembles a fitted long or three-quarter length sleeve that flares out in a bell shape at the forearm or wrist.

Bishop Sleeve: These long, loose-fitting sleeves end at the wrist with a tight cuff creating a flowy, whimsical effect. Very popular with bohemian and romantic aesthetics, the bishop sleeve is also commonly seen with off-the-shoulder necklines.

Watteau: While most wedding gowns have trains that extend from the waistline, this style attaches to the dress at the shoulders and falls to the floor. It creates a dramatic, often regal, cape-like effect.

Sweep: This style is the shortest train length. It is most common for lightweight slip dresses and ideal for the bride seeking a minimal look offering optimal mobility. This type cannot be bustled nor is there a need for one.

Court: Just slightly longer than a sweep train, this style falls between 1 to 2.5 feet behind the bride.

Chapel: As one of the most common train lengths, this style adds noticeable length and drama while still keeping an excessive amount of additional fabric to a minimum. They typically fall between 3 to 4.5 feet behind the bride.

Cathedral: This style is one of the most common and traditional train lengths. Extending between 6 to 7.5 feet behind the bride, it exudes a formal and classic bridal feel.

Monarch: Also known as “royal” train, this very formal and grandeur style flows 10 feet or more from the waistline.

Unless the dress has a detachable train, consider a bustle for keeping it off the ground during the reception. This is a commonly-used technique completed in alterations to allow freedom of movement. We recommend consulting with your personal bridal stylist to learn more about train styles and bustle options.

Bustling is a valuable technique for any bride who wants to enjoy her reception without the hassle of a trailing train. By lifting the train off the ground, a bustle keeps the dress safe from dirt and damage, particularly helpful when it comes to gown preservation. Bustling is especially important for gowns with cathedral-length trains, which can be cumbersome during dinner or dancing.

Types of Bustles

There are three main types of bustles, each suited to different gown styles:

1. American (Over Bustle)
   In the American or over bustle, the train is gathered and fastened over the skirt, creating a beautiful cascade effect down the gown's back. This bustle is ideal for ball gowns or dresses with cathedral-length trains, adding drama without compromising elegance.

2. French (Under Bustle)
   The French bustle tucks the train under the skirt, resulting in a billowing, fuller look at the back of the dress. This style works well with A-line, sheath, mermaid, and trumpet gowns, giving them an added volume and sophistication.

3. Royal (Victorian Bustle)
   The Royal or Victorian bustle involves multiple bustling points along the dress's back, creating a series of folds and adding a regal flair. This elaborate style is perfect for ball gowns or dresses with substantial fabric, allowing the train to be elegantly lifted without losing the dress’s shape.

Each of these bustle types provides a unique look and practicality, making it easier for brides to move freely and enjoy their special day without worrying about their gown being damaged.

Fittings and alterations can be a stressful part of the process if you’re not prepared. While there are lots of intricacies and several steps, your seamstress will make the process easy and comfortable every step of the way. We want you to be completely at ease, so here’s a quick guide on what to expect during the fitting process.

First Fitting: 8 weeks before your event, it’s time to schedule your first fitting. During this fitting, you will try on your wedding dress. Remember, your dress was ordered according to the largest measurement (between hips, bust and waist) therefore it will likely NOT fit properly right away. At this first appointment the seamstress, will pin the dress in all of the right places to start the customization of your dress to your body!

What to Expect: This appointment will take about an hour. Keep in mind that’s about an hour of standing in your dress and shoes while it’s being pinned by a seamstress. So please be prepared. Many brides insist on coming to their fitting on an empty stomach—we DO NOT advise this. At the end of your first fitting, you should be prepared to book your second fitting appointment. Your fitter will suggest some dates and you should also have a few dates in mind.

Quick Tip from Alterations Team: “Be patient with the process. Many brides tend to overthink between the first and second fitting. Your alterations team is sort of like having your own Fairy Godmother. But unfortunately, alterations take a little longer than a point with a magic wand”.

Second Fitting: 2-3 weeks after your 1st fitting, you’ll come back to to your Seamstress for your 2nd fitting. Your dress will have been basted (lightly sewn) according to the first fitting.

What to Expect: This appointment is one hour and you’ll start to see the fit of your wedding dress. It will have taken its shape from the first alterations appointment and it will fit your body better than the first appointment. To improve the fit, more pinning may take place.

Third Fitting: 2 weeks before your dress pick-up date, you’ll schedule your final fitting! This is the last time you’ll try on your dress. Your Seamstress will triple-check everything and we’ll make sure you’re completely in love with the fit of your dress.

Dress Pick up: Once your dress is completed, your Seamstress will help you schedule your pick-up date. Your dress will be placed into a garment bag and made ready for your trip home.

After all your alterations are complete at your seamstress.

Bring your dress back to Blissful Bridal where your dress will be pressed, steamed and packed so it maintains its shape and will be ready to step into, on your special day.